关于奉献的英语美文阅读
关于奉献的英语美文阅读
奉献精神是中华儿女一贯追求的高尚品格,是中华民族宝贵的精神财富。下面是学习啦小编带来的关于奉献的英语美文阅读，欢迎阅读!
关于奉献的英语美文阅读篇一
One day a young man was standing in the middle of the town proclaiming that he had the most beautiful heart in the whole valley. A large crowd gathered and they all admired his heart for it was perfect. There was not a mark or a flaw in it. Yes, they all agreed it truly was the most beautiful heart they had ever seen. The young man was very proud and boasted more loudly about his beautiful heart.
Suddenly, an old man appeared at the front of the crowd and said, "Why your heart is not nearly as beautiful as mine." The crowd and the young man looked at the old man's heart. It was beating strongly, but full of scars, it had places where pieces had been removed and other pieces put in, but they didn't fit quite right and there were several jagged edges. In fact, in some places there were deep gouges where whole pieces were missing.
The people stared — how can he say his heart is more beautiful, they thought? The young man looked at the old man's heart and saw its state and laughed. "You must be joking," he said. "Compare your heart with mine, mine is perfect and yours is a mess of scars and tears."
"Yes," said the old man, "Yours is perfect looking but I would never trade with you. You see, every scar represents a person to whom I have given my love — I tear out a piece of my heart and give it to them, and often they give me a piece of their heart which fits into the empty place in my heart, but because the pieces aren't exact, I have some rough edges, which I cherish, because they remind me of the love we shared. Sometimes I have given pieces of my heart away, and the other person hasn't returned a piece of his heart to me. These are the empty gouges — giving love is taking a chance. Although these gouges are painful, they stay open, reminding me of the love I have for these people too, and I hope someday they may return and fill the space in my heart. So now do you see what true beauty is? "
The young man stood silently with tears running down his cheeks. He walked up to the old man, reached into his perfect young and beautiful heart, and ripped a piece out. He offered it to the old man with trembling hands.
The old man took his offering, placed it in his heart and then took a piece from his old scarred heart and placed it in the wound in the young man's heart. It fit, but not perfectly, as there were some jagged edges. The young man looked at his heart, not perfect anymore but more beautiful than ever, since love from the old man's heart flowed into his. They embraced and walked away side by side.
一个年轻人站在城镇的中央，宣布他的心是整个山谷中最美丽的心。围观的群众很多，他们都称赞他的心的确是最完美的，没有一点伤痕或者瑕疵。真的，他们一致认为这实在是他们见过的最美丽的心。这个年轻人非常自豪，更加起劲地大声吹捧自己那颗美丽的心。
突然，一位老人出现在人群面前，他说：“你的心不如我的美丽。”围观群众和年轻人都朝老人的心看去，它有力地跳动着，却布满了伤疤，有的地方被挖走了，虽然重新补上了，但修补得不甚完整，留下参差不齐的疤痕。实际上，有的地方还露出很深的豁口。
人们睁大了眼睛——他们想：他怎能说自己的心更美丽呢?年轻人看了看老人的心，见是这种情形，不禁笑了起来：“你不是在开玩笑吧?”他说。“把你的心和我的比一下，我的心是那么完美，而你的心却布满了伤疤和裂痕。”
“是的，”老人说，“你的心从表面来看很完美，但我绝不会跟你交换。你看，每个伤疤都代表我为别人献出的一份爱——我掏出一块心给他们，他们常常会掏出自己的一块回赠给我，但由于这两块不完全一样，伤口的边缘就留下了疤痕，不过我十分珍惜这些疤痕，因为它们能使我想起我们共同拥有的爱心。有时我送出了心，其他人并没有回赠给我，因此就出现了这些深孔——献出爱只是创造机会。尽管这些伤口疼痛，并且整日敞开着，却能使我想起我给予他们的爱。我希望有一天，他们能够回来填补上我心里的空间。你们现在明白什么是真正的美丽了吧?”
年轻人默默无语地站着，泪水顺着脸颊流下。他走到这位老人身边，把手伸进自己完美而年轻美丽的心里，撕下一块来。他用颤抖的双手把它献给这位老人。
老人接过馈赠，把它放进自己的心里。然后他从自己疤痕累累的心里掏出一块，放在年轻人心里的那个伤口上。正好放进去，但不是特别吻合，因为有一些疤痕。年轻人看着自己的心，看起来不再完美但比以前更美丽了，因为老人心中的爱也流淌到了他的心里。他们互相拥抱，然后肩并肩离开了。
关于奉献的英语美文阅读篇二
奉献艺术一生的故事
Michael Joseph Jackson (born August 29, 1958) is an outstanding American musician. The seventh child of the Jackson family, he debuted on the professional music scene at the age of 11 as a member of The Jackson 5 and began a solo career in 1971 while still a member of the group Referred to as the "King of Pop" in subsequent years, five of his solo studio albums have become some of the world's best-selling records: off the Wall (1979)，Thriller (1982), Bad (1987), Dangerous (1991) and History (1995).
迈克尔·约瑟夫 ·杰克逊(1958年8月29日出生)，美国杰出的音乐人。他是杰克逊家族的第七个孩子。他第一次登上专业的音乐舞台是作为杰克逊五兄弟演唱组的成员。那时候他11岁。1971年，他还在这个组合时就开始了自己的独唱生涯。他的个人专辑成为了世界上销量最好的唱片——《培外》(1979)，《颤栗》(1982)，《真棒》(1987)，《危险》和《历史》，并在之后的岁月里被誉为“流行音乐之王”。
In the early 1980s, he became a dominant figure in popular music and the first African-American entertainer to amass a strong crossover following on MTV. The popularity of his music videos airing on MTV, such as "Beat it", "Billie jean" and "Thriller-credited for transforming the music videos into an art form and a promotional tool--helped bring the relatively new channel to fame. Videos such as "Black or White" and "Scream" kept Jackson as a staple on MTV into the 1990s. With stage performances and music videos, Jackson popularized a number of physically complicated dance techniques, such as the robot and the moonwalk. His distinctive musical sound and vocal style influenced numerous hip-hop, pop and contemporary R&B artists.
在20世纪80年代，他成为了流行音乐的代表人物，也是第一个在音乐电视成功之后强势转型的非洲裔美国人。他的音乐视频在音乐电视台播放，很受欢迎，比如“避开”“比利 ·琼”和“颤栗”——因为把音乐录像带变成了一种艺术形式和一种促销手段而受赞誉——这帮他把名声提到一个相当新的层次。录像带比如“是黑是白”和“尖叫”让杰克逊成为了20世纪90年代音乐电视上的重要部分。杰克逊的舞台表演和音乐视频推广了很多运用身体的复杂的跳舞技巧，比如机械舞和太空步。他与众不同的悦耳嗓音和发声方式影响了许多街舞、流行音乐和同时期的蓝调音乐艺术家们。
Jackson has donated and raised millions of dollars for beneficial causes through his Dangerous World Tour, charity singles and support of 39 charities. However, other aspects of his personal life-including his changing appearance and eccentric behaviour-generated significant controversy which damaged his public image. He was accused of child sexual abuse in 1993, the criminal investigation was closed clue to lack of evidence and Jackson was not charged. He then married twice and fathered three children, all of which caused further controversy. The singer has experienced health concerns since the early 1990s and conflicting reports regarding the state of his finances since the late 1990s. In 2005, Jackson was tried and acquitted of further sexual abuse allegations and several other charges.
杰克逊通过他的“危险世界巡演”，慈善单曲演唱和对39个慈善机构的支持为公益事业捐赠或募集了成百万上千万美元。然而，他个人生活的其他方面—— 包括他面貌的改变和古怪的行为——引发了严重的争议，损害了他的公众形象。1993年他被指控犯了虐童罪，但是由于证据不足调查结束，杰克逊没有被起诉。后来，他结过两次婚，成为了三个孩子的父亲，这也引起了更大的争议。从20世纪90年代早期，这位歌手就经历了健康上的麻烦;20世纪90年代后期他的财务状况报告又自相矛盾。2005年时，杰克逊因为更多的性虐待和其他指控被审判，最终被无罪释放。
Jackson died on June 25, 2009 from a drug overdose, amidst preparations for his This Is It concert series.
2009年6月25日，杰克逊死于用药过量。当时他正在准备他的This Is It系列演唱会。
关于奉献的英语美文阅读篇三
A Service of Love爱的奉献
When one loves one’s Art no service seems too hard.
Joe came out of the Middle West with a genius for pictorial art2. At six he drew a picture of the town pump with an important citizen passing it hurriedly. This work was framed3 and hung in the drug store window. At twenty he left for New York.
Delia did things in music so well in a pine-tree village in the South that her relatives raised a little money for her to go “North” and “finish.” They could not see her, but that is our story.
Joe and Delia met in a studio where a number of art and music students had gathered to discuss all kinds of arts.
Joe and Delia fell in love with each other, and in a short time were married—for, when one loves one’s Art no service seems too hard.
The couple began housekeeping in a flat. It was a lonely flat. And they were happy; for they had their Art and they had each other.
Joe was painting in the class of the great Magister—you know his fame. His fees are high; his lessons are light—his high-lights have brought him fame. Delia was studying under Rosenstock—a very strict piano teacher.
They were very happy as long as their money lasted. So is everybody. Their aims were very clear. They hoped their arts could bring them wealth and fame.
But the best, in my opinion, was the home life in the little flat—the warm chats after the day’s study; the comfortable dinners and fresh, light breakfasts; the interchange of ambitions4; the mutual help and inspiration; and meat and cheese sandwiches at 11 p. m.
But after a while Art flagged5. It sometimes does, even if nobody flags it. Everything going out and nothing coming in. Money was lacking to pay Mr. Magister and Rosenstock their prices. When one loves one’s Art no service seems too hard. So, Delia said she must give music lessons to make a living.
For two or three days she went out hunting for pupils. One evening she came home happily.
“Joe, dear,” she said, “I’ve a pupil. And, oh, the loveliest people! General—General Pinkney’s daughter—on Seventy-first Street. Such a splendid house, Joe—you ought to see the front door! Byzantine6. I think you would call it. And inside! Oh, Joe, I never saw anything like it before.
“My pupil is his daughter Clementina. I dearly love her already. She’s a delicate thing—dresses always in white; and the sweetest, simplest manners! Only eighteen years old. I’m to give three lessons a week; and, just think, Joe! a lesson. I don’t mind it a bit; for when I get two or three more pupils I can once again take up my lessons with Rosenstock. Now, smooth out that wrinkle between your brows7, dear, and let’s have a nice supper.”
“That’s all right for you, Dele,” said Joe, opening a can of peas with a carving knife, “but how about me? Do you think I’m going to let you hurry for wages while I enjoy the taste of high art? No! I guess I can do something, and bring in a dollar or two.”
Delia came and hung about his neck.
“Joe, dear, you are silly. You must keep on at your studies. It is not as if I had left my music and gone to work at something else. While I teach I learn. I am always with my music. And we can live as happily as millionaires on a week. You mustn’t think of leaving Mr. Magister.”
“All right,” said Joe, reaching for the vegetable dish. “But I hate for you to be giving lessons. It isn’t Art. But you’re great and a dear to do it.”
“When one loves one’s Art no service seems too hard,” said Delia.
“Magister praised the sky in that sketch8 I made in the park,” said Joe. “And Tinkle gave me permission to hang two of them in his window. I may sell one if the right kind of a rich fellow sees them.”
“I’m sure you will,” said Delia sweetly. “And now let’s be thankful for General Pinkney and this roast.”
During all of the next week the couple had an early breakfast. Joe was excited about some sketches he was doing in Central Park, and Delia prepared breakfast for him, praised, and kissed at seven o’clock. It was most times seven o’clock when he returned in the evening.
At the end of the week Delia, sweetly proud but tired, threw three five-dollar bills on the 8 by 10 (inches) centre table of the 8 by 10 (feet) flat room9.
“Sometimes,” she said, “Clementina tires me. I’m afraid she doesn’t practise enough, and I have to tell her the same things so often. And then she always dresses entirely in white, and that does get monotonous10. But General Pinkney is the dearest old man! I wish you could know him, Joe. He comes in sometimes when I am with Clementina at the piano and stands there pulling his white beard. ‘And how are the semiquavers and the demi-semiquavers progressing11?’ he always asks.
“I wish you could see the wainscoting in that drawing-room, Joe!”
And then Joe, with the air of a Monte Cristo12, drew out a ten, a five, a two and a one—all legal notes13—and laid them beside Delia’s earnings.
“Sold that water-colour to a man from Peoria,” he announced happily.
“Don’t joke with me,” said Delia—“not from Peoria!”
“All the way. I wish you could see him, Dele. Fat man with a woolen coat. He saw the sketch in Tinkle’s window and thought it was a windmill14 and bought it anyhow. He ordered another—an oil sketch of the Lackawanna freight depot15—to take back with him. Music lessons! Oh, I guess Art is still in it.”
“I’m so glad you’ve kept on,” said Delia heartily. “You’re sure to win, dear. Thirty-three dollars! We never had so much to spend before. We’ll have a rich dinner to-night.”
On the next Saturday evening Joe reached home first. He spread his on the table and washed what seemed to be a great deal of dark paint from his hands.
Half an hour later Delia arrived, her right hand tied up in a shapeless bundle of wraps and bandages16.
“How is this?” asked Joe after the usual greetings.
Delia laughed, but not very joyously.
“Clementina,” she explained, “insisted upon a Welsh rabbit17 after her lesson. She is such a strange girl. Welsh rabbits at five in the afternoon. The General was there. You should have seen him run for the chafing dish18, Joe, just as if there wasn’t a servant in the house. I know Clementina isn’t in good health; she is so nervous. In serving the rabbit she spilled19 a great lot of it, boiling hot, over my hand and wrist. It hurt terribly, Joe. And the dear girl was so sorry! But General Pinkney!—Joe, that old man nearly went crazy. He rushed downstairs and sent somebody out to a drug store for some oil and things to bind it up with. It doesn’t hurt so much now.”
“What’s this?” asked Joe, taking the hand softly and pulling at some white strands20 under the bandages.
“It’s something soft,” said Delia, “that had oil on it. Oh, Joe, did you sell another sketch?” She had seen the money on the table.
“Did I?” said Joe. “Just ask the man from Peoria. He got his sketch today, and he isn’t sure but he thinks he wants another parkscape and a view on the Hudson21. What time this afternoon did you burn your hand, Dele?”
“Five o’clock, I think,” said Dele . “The iron—I mean the rabbit came off the fire about that time. You ought to have seen General Pinkney, Joe, when—”
“Sit down here a moment, Dele,” said Joe. He drew her to the couch, sat down beside her and put his arm across her shoulders.
“What have you been doing for the last two weeks, Dele?” he asked.
She sat in silence for a moment or two with an eye full of love, and murmured a phrase or two of General Pinkney; but at last down went her head and out came the truth and tears.
“I couldn’t get any pupils,” she said. “And I couldn’t bear to have you give up your lessons; and I got a place ironing shirts in that big Twenty-fourth Street laundry22. And I think I did very well to make up both General Pinkney and Clementina, don’t you, Joe? And when a girl in the laundry set down a hot iron on my hand this afternoon I was all the way home making up that story about the Welsh rabbit. You’re not angry, are you, Joe? And if I hadn’t got the work you mightn’t have sold your sketches to that man from Peoria.”
“He wasn’t from Peoria,” said Joe slowly.
“Well, it doesn’t matter where he was from. How clever you are, Joe—and—kiss me, Joe—and what made you ever think that I wasn’t giving music lessons to Clementina?”
“I didn’t,” said Joe, “until to-night. And I wouldn’t have then, only I sent up this cotton waste and oil from the engine-room this afternoon for a girl upstairs who had her hand burned with an iron. I’ve been firing the engine in that laundry for the last two weeks.”
“And then you didn’t—”
“My purchaser23 from Peoria,” said Joe, “and General Pinkney are both creations24 of the same art—but you wouldn’t call it either painting or music.”
And then they both laughed, and Joe began:
“When one loves one’s Art no service seems—”
But Delia stopped him with her hand on his lips. “No,” she said—“just ‘When one loves.’”
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